| 2006 - November |
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In "Life After Life" album we have put together full repertoires of DE MORTUS un ICONSTRAINTS whose members we both were in years 1997-1998 and 2003-2004 respectively. This is our first album to include data-CD which contains old versions of songs, radio edits, and even few new songs.  |
| 1997-10-05 - "Guidance To Quietus" | |
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We formed MORPHOLARIA in 6th of June, 1996 and this is our first recording, rooted in consistently heavy music. Already in the very beginning we had decided that we're not gonna stay at 4/4 for long. We remember the funny fact that we recorded vocals independently from music. The start was like a start in best traditions, solos must be everywhere, even each of us doing own extended one. 1. MEMBERS - 5:06 2. JOURNEY INTO ILLUSIONS - 1:49 3. WHERE VISIONS ARE BURIED - 4:43 4. INHEARSED ALIVE - 4:25 5. FANCY'S CHILD - 1:16 6. TRACES - 6:24 |
| 2000-08-16 - "Under Divine Control part 1 / Walls Remind Of Depression" | |
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Two songs from MORFOLATRIA (1998-1999) repertoire. These are recorded mostly as training material for the next upcoming record RTP. 1. UNDER DIVINE CONTROL part 1 - 5:30 2. WALLS REMIND OF DEPRESSION - 6:42 |
| 2000-11-22 - "Remember To Phorget" | |
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A concept-album. This time we accurately worked on vocals unlike "Guidance To Quietus", and the style was more progressive oriented. The music itself was composed in fall 1997, few weeks after "Guidance To Quietus" was finished. 1. REMEMBERANCE - 4:24 2. FORGIVEN FOR A DAY - 7:02 3. COMMEMORATION - 3:35 4. LIFESCREEN DEMONS - 8:37 5. DOUBTS ABANDONED - 2:33 6. FARE THEE WELL - 9:16 |
| 2001-06-01 - "Embraced In Fear And Wonder" | |
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Compared to previous album "Remember To Phorget" this is more of a relief. This was planned to be a sequel to "UDC1/WROD" album, adding few more songs of MORFOLATRIA and at the same time adding new melodic and guitar fireworks. 1. SERYOZHA MY LOVE - 1:34 2. UNDER DIVINE CONTROL part 2 - 4:32 3. NITRO - 1:59 4. IT IS YOU - 3:35 5. EMBRACE - 1:11 6. WAITING FOR THE GONE - 5:18 7. APHRODISIAC - 4:12 8. HARASSED - 1:33 9. SOLACE ATHIRST - 3:12 |
| 2002-10-24 - "Horizons Of The Unknown" | |
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An album without its center theme. There is one old DE MORTUS (1996-1997) track, re-recorded "Walls Remind Of Depression" from "UDC1/WROD", re-recorded "Traces" from "Guidance To Quietus", and one cover version. The new contribution - only 3 tracks. 1. ANITAI - 4:32 2. THE INNERMOST QUERY - 4:39 3. UNLIVING IN MEMORIES - 3:45 4. RETRACES - 7:27 5. WALLS REMIND OF DEPRESSION - 6:38 6. MOLLUSC SAGA - 4:18 7. APVIJ ROKAS - 3:44 |
| 2003-08-14 (remasters: 2004-10-25) - "Mind Pictures" | |
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An album probably composed in much less time than any other, but at the same time accurately polished and arranged. Both "Non-Verbal Duels" are built around countless melodic and even rhythmic motifs. A year later there was a remixed version of "Mind Pictures" with few bugfixes. 1. QUARTET - 16:25 I con dolore e largo II burlesco III pesante ma vivace IV dolento 2. NON-VERBAL DUELS part 1 - 16:15 I irato II tema: festivamente III moderato marciale IV allegro con brio V adagio VI eroico VII agitato 3. NON-VERBAL DUELS part 2 - 18:05 I agitato II allegro III moderato IV impetuoso V pastorale |
| 2006-05-02 - "Integrity Check" | |
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A compilation of few test tracks recorded over past three years. This is also like a borderline between two eras in discography of MORPHOLATRIA. Each song recorded with different "drummer", different "bassist" and different guitar sound. Thus the title. 1. ALLEGRO MOLTO - 2:57 2. PROLOGUE - 0:48 3. SUBTERRANEAN NIGHT - 4:11 4. EXCLAMATION - 4:36 5. MINIATURE - 1:38 6. INTEGRITY CHECK - 10:19 |
| 2006-11-02 - "Life After Life" | |
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Previously we had recorded MORFOLATRIA repertoire, but "Life After Life" has two more repertoires - one of DE MORTUS (1996-1997) and one of ICONSTRAINTS (2003-2004). This is the first album to include data-CD which contains old versions of songs, radio edits, and few new songs. audio-CD: 1. INTRO / MASQUERADE - 6:08 2. STRAY SICKENED SOULS - 3:40 3. THEMIS - 5:15 4. SLEEPWALKER - 4:17 5. UNLIVING IN MEMORIES - 3:47 6. SECONDARY LOVE - 4:47 7. TURN BACK MY DAYS - 3:54 8. WINDOWPANE - 5:05 9. PHANTOM FEAR - 4:40 10.TASTE MY DISEASE - 4:17 11.DEATH OF PHILOSOPHER - 5:46 data-CD: 1. UNLIVING IN MEMORIES - 3:43 2. SECONDARY LOVE - 4:33 3. WINDOWPANE - 4:52 4. PHANTOM FEAR - 4:41 5. TURN BACK MY DAYS - 3:48 6. TASTE MY DISEASE - 4:05 7. DEATH OF PHILOSOPHER - 5:12 8. BEHIND CLOSED DOORS YOU ARE SO BEAUTIFUL - 5:56 9. LOGA RŪTĪ - 5:03 10.INTRO / MASQUERADE (radio edit) - 3:34 11.DEATH OF PHILOSOPHER (radio edit) - 3:20 12.LOGA RŪTĪ (radio edit) - 3:04 13.APATHY - 4:00 14.ICONIC RESURRECTION - 4:03 |
| 2001 - "Embraced In Fear And Wonder" | |
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Aigars Červinskis [ 2001.10.26 ] VĒRTĒJUMS: 8 no 10 Kā jau varbūt esat pamanījuši, Morfolatria ir ārkārtīgi talantīgā ģitārista Anša Markausa solo projekts, kurā ar visiem instrumentiem - ģitārām, taustiņiem, datoriem - viņš tiek galā vienatnē, jo tie, kas reiz bijuši viņa domubiedri un līdzgaitnieki, atraduši nodarbi citur. "Embraced In Fear And Wonder" ietilpst deviņas daudzveidīgas kompozīcijas, kas kopumā atstāj ļoti pozitīvu iespaidu (trīs no tām tapušas laikā, kad Ansis vēl nebija palicis viens). Lai arī esmu noklausījies šo albumu vairākkārt, neesmu tajā atradis nevienu pašu vāju vietu, ja neskaita faktu, ka Anša ģitāras (un fragmentāri arī taustiņi) ir vienīgais dzīvais instruments; viss pārējais ir rūpīgi un precīzi salikts uz datora, taču nav vajadzības raukt pieri, jo, piemēram, sitamie instrumenti izklausās diezgan autentiski. "Embraced In Fear And Wonder" skaidri apliecina, ka Ansis ir ne tikai viens no labākajiem (varbūt pat vislabākais) attiecīgā stila ģitāristiem šodienas Latvijā, bet arī salīdzinoši interesantas mūzikas autors. Paklausieties "Under Divine Control Part 2" vai "Aphrodisiac"! Var jau, protams, pārmest Ansim vēlmi tuvināties Dream Theater iedibinātajām kompozīcijas tradīcijām, tomēr "Embraced In Fear And Wonder" ietvertas arī vairāki īsi, eksperimentāli gabaliņi, kādi minētajai jeņķu supergrupai nav raksturīgi. Manuprāt, kompozīcijas ziņā mazliet pieviļ tikai 1998. gadā tapušā skaņdarba "Waiting For The Gone" versija, kas ir jūtami garlaicīgāka nekā citi gabali. Galu galā "Embraced In Fear And Wonder" ir ļoti tīkams, progresīvs albums, kuru iesaku noklausīties ikvienam vidēji sarežģītas instrumentālas rokmūzikas cienītājam (iegādājieties savu eksemplāru pa taisno no autora: ansism [at] lanet [punkts] lv). Savukārt mans vienīgais ieteikums Ansim ir atrast domubiedrus, ar kuriem kopā izveidot koncertējošu grupu - šī mūzika ir pelnījusi dzīvu izpildījumu! |
| 2000 - "Remember To Phorget" | |
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Uldis Šēns [ 2001.01.09 ] Es labi atceros, kaa man tika pasniegts pirmais disks - ar vairaakkaarteejiem atgaadinaajumiem, ka "nekas iipashs jau nav" un "mums jau to iespeeju tik maz", utt. Toties pirms vairaakaam nedeeljaam daavaatais "Remeber To Phorget" tika pasniegts kluseejot un ar taadu zinaamu lepnumu aciis. To jau es uzskatiiju par labu ziimi. Pa starpu dzirdeejis dazhus demo ierakstus (bez vokaala), man bija skaidrs, ka Morpholatria staav krustcelees, un shis disks noraada uz gandriiz citu grupu, kaut arii tas joprojaam ir dueta (+ drum'n'bass computer) darbs. "RtP" ir konceptuaals darbs par, vulgaari sakot, "nenotikushu miilu", ar storiju iemestu pa vidu lirikai, bet galvenais tomeer ir taas muzikaalaas paarmainjas, kas skaarushas sho duetu. Ne veests no metaala. Varbuut par stipru teikts, tachu 95% materiaala driizaak ietureejies progresiivajaa rokaa, un to sekmee arii Raimonda nazaalaa un melanholiski skumjaa (kaut arii ne paaraak speeciigaa) balss - patiikamaakais paarsteigums, jo "Guidance To Quietus" vokaalaas izpausmes abiem bija tikai bljaustiishanaas un murmuleeshana (sheit to paarstaav Ansha blackiskais iebreeciens vienaa dziesmaa). Ansis shoreiz piedzied, un tie abu vokaalu salikumi parasti ir tie jaukaakie. Vispirms par to kritisku noveerteeto, un tur pats galvenais un prominentaakais meerkjis ir tas pats vecais production. Jaa, es visu saprotu, maajas ieraksts un tml. Es neesmu liels speciaalists tehniskaas lietaas, tachu neesmu paarliecinaats, vai arii maajaas nevar samikseet klausaamaaku skaneejumu. IIpashi tas attiecas uz kompjuuterbungaam, kuraam ir tendence noeest paareejo, un, man par lielaam sirdssaapeem - distorteetaas gjitaaras, kas patiesi izklausaas kaa caur zilonja dibengala speeleetas. Noslaapeejot versmaino sashutuma veetru, es veel njerkstiigi piebildiishu, ka tieshi shiis bungas sniedz paaraak elektronisku skaneejumu, un tas briizhiem uzvedina uz paaraak lielu vienmuljiibu. Tachu shiis visas lietas ir labojamas, tas nu jaasaka. Nu jaa, bet, njemot veeraa paarmainju veejus, es neesmu paarliecinaats, vai speeju aptvert shii ieraksta pilniibu vai nepilniibu, es varu tikai noraadiit uz dazhiem patiesi labiem gjitaaru solo ("tiem, kurus es sadzirdeeju", velninjsh chukst manii), un vislielaako uzslavu pelna garaas dziesmas, "Lifescreen Demons" un "Fare Thee Well", vislabaakaa skanja ir tad, kad taustinji izliidzina bungu pljekstonju, un vislieliskaakais ir akustiskaas gjitaaras solo "Fare Thee Well" ievadaa - tas ir sastingshanas veerts (skanja atgaadina Annihilator pirmaa diska ievadu "Crystal Ann"), plus ir atsevishkjas ljoti veiksmiigas vietas - "Fare Thee Well" epilogs ar, khem, gaudoshanu (kas atgaadina Fear Of God!), instrumentaalais "Doubts Abandoned" ar kluso meitenes murmuleeshanu, un atsevishkji teicami gaajieni "Lifescreen Demons" (tur kur tiek dziedaats - "I am given too many solutions / too many ways I can set upon...", tur skudrinjas noskrien turp un atpakalj). Kaa jau parasti, labi teksti, dazhaas vietaas taadi panaivi, bet, hei! teema tak kaada?! Un patieshaam labs noformeejums - vaaka ziimeejumi daudzos diskos ir bijushi stingri vien vaajaaki. Nu, ko lai saka - es jau reiz teicu, jaacer, ka shiem cilveekiem palaimeesies atrast domubiedrus. Sho prasiibu es uzturu, jo ceriibas aug augumaa. Latvijaa izdotos diskus es parasti veerteeju ar veel vienu meerauklu - vai man buutu kauns tos ierakstiit un aizsuutiit draugiem aarpus valsts. Shaadi diski ir tikai triis, un "Remember To Phorget" to viduu nebuus. Production deelj, citaadi jau gan. Pagaidaam es gaidu Aigara veerteejumu. Aigars Červinskis [ 2001.05.02 ] VĒRTĒJUMS: 7 no 10 Cik man zinaams, Morpholatria ir vieniigaa veeraa njemamaa grupa Latvijaa, kuras muziceeshanas maniere par visiem 100% atbilst progmetaala apziimeejumam. Cepuri nost kaut vai par to pashu! Nu jau labu laiku kaa sarukusi liidz duetam, Morpholatria sho albumu ierakstiija un mikseeja ar parasta datora paliidziibu. Taadaa celjaa ieguutas bungu, basa un sintezatoru skanjas, un shajaa zinjaa iipashu atziniibu vajadzeetu veltiit Ansim Markausam, kas demonstree labu izpratni par skanju un zinaashanas attieciigajaas datorprogrammaas - pavirshaak klausoties, vareetu spriest, ka bungas ir iespeeleejis dziivs cilveeks (nesmiiniet, jo ir izmantoti arii neregulaari taktsmeeri)! Tiesa, fuuzeeto gjitaaru skanja ir paarlieku grieziiga, bet taa dzirdama gandriiz viscaur shim albumam. GJitaaru skaneejums nav vieniigais, kas atgaadina 80. gadu progmetaala uzplaukuma laikus. Paraleeles velkamas arii visnotalj sarezhgjiitajaa kompoziicijaa, un nav izsleegts, ka Morpholatria konceptalbums "Remember To Phorget" atsauks atminjaa taadas jenjkju grupas kaa Fates Warning, Psychotic Waltz, Queensryche un Watchtower (peedeejaas divas gan mazaakaa meeraa). Raimonda Liepinja vokaalais sniegums ir kvalitatiivs un sameeraa akadeemisks, kuru var saliidzinaat ar Everon shefa Oliver Philipps vai Sophistree dziedonja Frank Wollenburg dziedaashanas manieri, tachu, manupraat, Raimonda izpildiijumaa pietruukst individualitaates. Tomeer uzslavu pelna instrumentaacija - jo iipashi gjitaarspeele, taapeec es dodu priekshroku trim instrumentaalajiem skanjdarbiem "Remembrance", "Commemoration" un "Doubts Abandoned". Secinaajums: "Remember To Phorget" ir ljoti daudzsoloshs saakums (driizaak saakuma turpinaajums, jo grupas kontaa ir arii kasetes albums "Guidance To Quietus"), taapeec silti iesaku sho ierakstu dabuut ikvienam progmetaala fanam. Varbuut arii citiem, kuru izpratne par Latvijas muuziku neaprobezhojas ar A-Eiropu, brinzashtormu, hobosiem un citiem maaksliniecisko veertiibu killeriem. |
| 2000 - "Under Divine Control part 1 / Walls Remind Of Depression" | |
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Aigars Červinskis [ 2001.05.02 ] VĒRTĒJUMS: 8 no 10 Kad pashkjiiraas Morpholatria pirmais sastaavs, shim savam garabeernam palika uzticiigs lieliskais jaunais gjitaartalants Ansis Markauss. Lai gan shajaa promodiskaa ir tikai divas instrumentaalas kompoziicijas, tajaa ir ietilpinaats vesels daudzpusiigu ideju eshelons. Ansha gjitaarspeeli abos skanjdarbos pavada uz datora ieguutas, labi paardomaatas taustinjinstrumentu un bungu partijas. SHaubiigajiem uzreiz pateikshu priekshaa, ka shis risinaajums ir daudz labaaks nekaa gadu ilgi dziivu instrumentaalistu mekleejumi - noklausoties sho materiaalu, neshkjiet, ka Latvijaa dziivotu paaraak daudz taadu muuzikju, kas speetu izsekot liidzi Ansha radiitajaam kompoziicijaam. Protams, ja vajag piesieties pie izpildiijuma, shur tur var saklausiit mazliet neritmisku speeli un vienu otru tehnisku neprecizitaati (iipashi "Under Divine Control Part I"), bet es tomeer piederu pie tiem, kam muuzikaa galvenais ir ideja un emocijas, kuru sheit netruukst. Ja dodat priekshroku intelektuaalai un mazliet metaaliskai rokmuuzikai, luukojiet dabuut sev kaadu shii briinishkjiigaa promodiska eksemplaaru no pasha Ansha (sazinaaties ar vinju var (un vajag!) pa e-pastu: ansism [at] lanet [dot] lv). |
| 1997 - "Guidance To Quietus" | |
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Uldis Šēns [ 1999.12.21 ] Morpholatria, vismaz manaa riiciibaa esosha demo ierakstiishanas laikaa, ir divi puishi, Raimonds Liepinjsh (kursh bildee izskataas peec 80o gadu beigu thrashera) un Ansis Markauss (abi - gjitaaras un vokaali), kuriem aiz muguras esot pabieza thrash un death muziceeshanas veesture. Tikai tagad gan vinji vairaak tiecoties uz tehniski-progresiivaam lietaam. Tas nebuutu slikti, shaadu grupu (ja neskaita varbuut death-njikus Neglected Fields) Latvijaa ir ai, cik maz... sho 1997. gadaa ierakstiito demo es sanjeemu ar neskaitamaam atrunaam gan par skanjas, gan par muuzikas kvalitaati, liidz ar to es to patureeju praataa, rakstot. Prieksh maajas demo labs aartvorks. To Raimonds esot pa pixekljiem salipinaajis ar PaintShopPro. Vo, cilveekam pacietiiba... Seshi treki, no tiem divi instrumentaalji. OK, par skanju nerunaasim, jo, ko tu, cilveeks, vari gribeet no maajas apstaakljos ierakstiita un peec tam uz kompja samikseeta demo? So, aizmirsti, cilveek, arii to, ka bass/drums/keys arii ir kompja gjenereeti... Cik noprotu, vinjiem ir piedaavaati ne viens vien saliidzinaajums, tachu, tie, kuri tika nosaukti man, nu ne kaadi te neiedereejaas. Vislabaak es to varu aprakstiit taa: Kiberthrash tipa Obliveon vai pat Voi Vod, auksti un mazuliet mehaaniski un industriaaliski, tomeer ne disharmoniski rifi, dazhas akustiskaas intonaacijas atsauc atminjaa Celtic Frost disku "Into The Pandemonium" (piemeeram, dziesmaa "Inhearsed Alive"). Tas gan attiecas tikai uz trim gabaliem, jo peedeejais, "Traces", kaut iesaakas visai liidziigi, man vairaak atgaadina taadu tehnisku blici kaa Deathrow, tikai bez speed piegarshas. Skaisti pirkstu panjirbinaajumi te, un beigas vispaar tiiri gliiti nostraadaatas. Kaut taa buutu vairaak. Jaa, un tas melodiskais gaajiens gabalaa "Where Visions Are Buried" rulez, un pats demo saakums ir pavisam cools, ar to deklamaaciju. Bet balss, iipashi Ansha balss, atgaadina agriino Celtic Frost, bet ne tik "nogurushu". Liidervokaala kaa taada nemaz (un tas ir ljoti zheel), abi muuzikji izmanto visas savas balss iespeejas, runaajot / deklameejot / reecot / spiedzot / kliedzot, kaa vien veelaties. Sakariigi teksti, praktiski bez kljuudam un/vai neveikliem izteicieniem, dazhi citaati no Biibeles un Edgara Alan Po arii iepiiti. Labaakais paragraafs: "Death is a trap for the superstitious / Sidestep of stream is not an acquisition / Love can guide you to perfection / If only death could help you to attain..." Ja vajag kur piekasiities, tie ir instrumentaali, kuri, atvainojiet, vietaam izklausaas peec gjitaaras maaciibstundas vingrinaajumiem. Jaa, un es ceru, ka nu vinji tikushi pie labaakiem instrumentiem. Es pats veel 1987. gadaa uz Musimas speeleeju... Visumaa tas ir itin pieklaajiigs veikums, atsevishkjas vietas pat ne tikai pieklaajiigas, un, teiksim, Neglektjikiem arii buutu ko pamaaciities. Ceru, ka dzhekiem izdosies reiz savaakt nopietnu sastaavu, tipa, iekshaa ir, tagad tikai jaastumj aaraa. Vieniigi zheel, ka taadu muuziku es klausos visai maz, un liidz ar to manam veerteejumam varat arii neticeet. Baigaakais ir tas, ka tas viss man kaut ko atgaadina, uz meeles ir, bet nekaa, nekaa, neizdodas. Tachu ir sajuuta, ka es ko taadu esmu dzirdeejis manos death gados, t.i., 90o gadu saakumaa. Uldis Šēns [ angliski, 2000.01.03 ] Released way back in 1997, "Guidance To Quietus" is basically a showcase of two guitarists, both providing their vocal talents, and using IMBs for keys/bass/drums duties. Their cold and and somewhat mechanically and monotonous sounding riffs bring in mind Canadian cyberthrash unit Obliveon, coupled with Anacrusis (but without that punch) and even flirting with industrial shades, the latter may be due to undoubtedly electronic drums sound. There are no lead vocals per se, both guys taking their turns to scream, shout, roar, squeal and whine. There's a good deal of narration throughout the 24 mins recording, thus bringing around quite a surreal atmosphere. Both men are, by and large, free of the nuisance that plagues many a Latvian band - thick accent. Lyrics, another would-be plague, here vary from being reasonable to good, some excerpts from Bible and God Of Horror Edgar Allan Poe are used, and in a well done way, which again, sets them apart from not one local band. Incidentally, the opening track "Members" is the least spectacular (apart from the very beginning), mostly because of the lack of some sparkle or hook. "Where The Visions Are Buried" contains a nice guitar/synth break, albeit somehat rehashed, while "Inhearsed Alive" with its acoustic lead tells me the guys have been listening to Celtic Frost. The closing number, "Traces" is, I've been told, their fave track on the demo, and this would be the direction they'd like to head to now. It opens with the same sledgehammer riffs as rest of the gang, but in halfway adds to itself some nice complex nuances and some very reasonable solos, ending with acoustic break, and in the end, is surely the leader here. Few shortcomings (apart from the sound, but for a home recording on absolute shoe-string budget it passes just fine) include both guitar solos that sound way too much like guitar exercises I myself strained (but never managed) to do 8 years ago. Those definitely are fillers. I wish there would be less spontaneity and more thoughtfulness involved, there are parts when it sounds like they just threw in the riff and/or solo they had just written, not caring how it looks in the scene but then again, that can be attributed to many records. I also wish they would finally get a real line-up together and kick some ass. They are capable of that, I felt it even underneath the blurry vision passing for "Guidance To Quietus"... |
| Music files - downloads |
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All archive files are self-extracting. Audio files are stereo MP3, constant bitrate at 320kbps in 44100 Hz. 2006 Life After Life (audio-CD) (118 MB) 2006 Life After Life (data-CD) (138 MB) 2006 Integrity Check (57 MB) 2003 Mind Pictures (116 MB) 2002 Horizons Of The Unknown (81 MB) 2001 Embraced In Fear And Wonder (63 MB) 2000 Remember To Phorget (82 MB) 2000 UDC1/WROD (28 MB) 1997 Guidance To Quietus (56 MB) |
| Personnel | |
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| Links |
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http://morpho.lanet.lv/iconstraints ICONSTRAINTS was a band in years 2003-2004, where MORPHOLATRIA core members Ansis and Raimonds had united with Uldis Rāts, Toms Ceļmillers and Toms Circenis. ICONSTRAINT's inheritance has been recorded in year 2006 album "Life After Life". http://www.tomslondons.lv The backbone of ICONSTRAINTS Raimonds Liepiņš, Uldis Rāts and Toms Ceļmillers continue their musical course together. http://www.skelectory.com Bass player for long ago disbanded MORFOLATRIA Armands explores new musical horizons. http://www.holylamb.lv There's not much prog stuff in Latvia, but these HOLY LAMB are surely the pioneers of progressive rock stage. Lately HOLY LAMB has been even strenghtened by Ansis Markauss and Toms Circenis who had played together in ICONSTRAINTS. |
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| Contact |
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addresss: Ansis Markauss Ernestīnes 40-5 LV-1046 Rīga, Latvija cell: +371 28342378 e-mail: skype: markauss |
